The aim of the re-enactments was to return to initially felt forces/sensibilities that were present in the physical play events. Re-enactment should be understood here not as imitation but as the embodied actualization of the physical play events. The aim of this re-enactment is to identify “non-exhausted creative fields of impalpable possibilities” (Lepecki, 2010, p. 31). Through re-enactment, I wanted to unlock and grasp the virtual possibilities that are present and still at work in the photographs of my children's play events.The working sessions with (emerging) professional dancers were captured by the camera.